Rod Steiger

Back in the 1960’s, Rod Steiger was considered one of the top actors in Hollywood.  He would receive an Academy Award for Best Actor for “In the Heat of the Night” (1967.)  But for me, that wasn’t his best performance.  Steiger would also be nominated for “On the Waterfront” (1954) and “The Pawnbroker” (1965).

When you watch the taxicab scene from “On the Waterfront”, watch Rod Steiger.  He is told by his brother Terry Malloy (Brando) how his own brother sold him out.  The look, the reaction.  He knows every word of it is true and it destroys him.

In “The Pawnbroker”, Steiger is Sol Nazerman, a survivor of the Holocaust.  He is an empty shell of a man.  Others try to reach him, but he’s untouchable.  There are many outstanding scenes.  For me, the best is when he’s asked “Why are your people so good at business?”

Lee Marvin would somehow win the Oscar for “Cat Ballou”, a comedy-western.  Proof positive the Academy is insane.

After winning an Oscar in 1968, Rod Steiger could pretty much pick and choose any role he wanted.  His next three films:  “No Way to Treat a Lady”, “The Sergeant” and “The Illustrated Man” were chancy, gutsy performances.

In “No Way to Treat a Lady”, Rod plays a psychopathic strangler who kills old ladies that remind him of his mother.  It’s a superb thriller except for the cop-out ending.  Based on a novel by William Goldman.

Rod Steiger as Christopher Gill in “No Way to Treat a Lady”

“The Sergeant” chronicles how Steiger (as Master Sergeant Albert Callan) tries to take over a young man’s life. (John Phillip Law as Pvt. Swanson.)   A closeted homosexual, his character weeps, tries to kiss the object of his affection and then says, “I didn’t do that.”   Critics trashed the movie, but few actors would have the guts to play it back in the 1960’s.

Tagline: “Just one weakness . . . just one.”

“The Illustrated Man” is an anthology held together by the lead character (Steiger as Carl) who tells his story to a young drifter (Robert Drivas as Willie.)  Claire Bloom (then Steiger’s wife) is the mysterious women named Felicia who goes “Back into the future”.    As Carl says, “She went back into her house and took the whole blessed thing with her.”

Ray Bradbury Week: The Illustrated ManThe Illustrated Man (1969)

Carl’s stories are told through his tattoos (“Skin illustrations”, he insists.)  The plot eludes to reincarnation.  The same characters reappear through our life, over and over again.

The Illustrated Man (1969)

“The Illustrated Man” is a flawed, but fascinating film, noteworthy for its score (Jerry Goldsmith) and a dog Carl carries around in a bag.  (Pogo as “Peke”.)

Rod Steiger’s career would take a nosedive with the box-office failure aptly titled “Waterloo” (1970.)  In ’71, he replaced Eli Wallach as Tuco in “Duck, You Sucker”.  (A semi-sequel to “The Good, the Bad and the Ugly” – directed by Sergio Leone.  It flopped.  Like many actors, Rod Steiger suffered from clinical depression.  Being regarded as one of the world’s great actors, then seeing it crumble from a series of bad movies and a divorce from Claire Bloom was a shame.  He would make several comebacks in “The Amityville Horror” (1979) and “The Specialist” (1994.)

Rod Steiger (1925-2002.)  Died from complications from the removal of a gallbladder tumor.

Text © 2024 – EricReports

Movie Reviews – EricReports

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Soylent Green (1973, MGM)

Stars Charlton Heston, Leigh Taylor-Young, Chuck Connors and Edward G. Robinson.  In the year 2022, one of the board members of the Soylent Corporation is murdered.  Why?  Heston (as police Detective Thorn) discovers a conspiracy behind it all and of the future food for the masses.  Wonderful final performance from Edward G. Robinson as Sol Roth, Thorn’s “police book”.  Sad last scene with them both.  Robinson was dying from cancer while making this.

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Leigh Taylor-Young

Leigh Taylor-Young

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As “Shirl” a “furniture girl”.

 

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Becket (1964, Columbia)

True story of King Richard II (Peter O’Toole) and his best friend Thomas Becket (Richard Burton) whom he makes his Archbishop and who must choose God over the kingdom.  Arguably, O’Toole’s best performance; Burton’s no slouch either.  th2XZHKQ65thJYLLID9Z

They both received Oscar nominations, losing to Rex Harrison for “My Fair Lady”.

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Black Sabbath aka Les Trois Visagees de la Peur or I Tre Volti della Paura (1963, Italy. 1964, USA)

There are two different versions, AIP’s and the original one in Italian.  The three tales of horror include, “A Drop of Water”, “The Telephone” and “The Wurdelak” – which stars Boris Karloff.  (The Italian version is dubbed and does not contain Karloff’s distinctive voice.)  thI9QIN8RB

“The Telephone” (the middle episode) has been toned down in the AIP cut.  “A Drop of Water” is  pure shock horror.  Where did they get the woman to play the dead medium?  Directed by Mario Bava, well known for being the father of giallo horror and the inspiration for future director Dario Argento.

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It’s Alive (1974, Warner Bros.)

Psychodrama/sci-fi/horror flick written, directed and produced by Larry Cohen.  Stars John P. Ryan and Sharon Farrell as the Davis’, parents who inadvertently breed a mutant killer baby.

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Flopped upon its first release, then became a cult hit upon its 1977 re-release.  Spawned two more sequels and a remake.  Atmospheric score by master composer Bernard Herrmann.

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The Illustrated Man (1968, Warner Bros.)

Uneven, but noteworthy film adaption of the Ray Bradbury classic.

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Rod Steiger stars as the “Illustrated Man” who is tattooed from head to toe, “but don’t look too long because those tattoos will become alive.”  Robert Drivas costars with Claire Bloom who was married to Steiger at the time.

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The Hitcher (1986, Tri-Star Pictures)

MV5BMTI4ODEyMTc2M15BMl5BanBnXkFtZTYwMzk3MjM5__V1_SX100_CR0,0,100,100_AL_Effective little thriller starring Rutger Hauer as the hitchhiker from hell who won’t leave C. Thomas Howell alone.

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Costars Jennifer Jason Leigh as Nash, a very underrated actress.

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Hamlet (1996, Columbia)

Big-budget, all-star, epic of Shakespeare’s masterpiece.  A Kenneth Brannagh project.

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Best performance is Kate Winslet’s Ophelia.

70mm cinematography effect lessened on the small screen.

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Let’s Make Love (1960, 20th Century-Fox)

Somewhat overlooked Marilyn Monroe film, more known at the time for the affair she had with her co-star Yves Montand.  Comedy about Jean Marc Clement (Yves Montand), a billionaire who pretends to be a poor actor trying to impress Amanda Dell (Monroe.)  Contains the showstoppers “My Heart Belongs to Daddy” and “Specialization”.  Very funny in spots with cameos by Milton Bearle, Gene Kelly and Bing Crosby.  Co-stars Tony Randall.  MM’s husband, Arthur Miller, worked on the script, uncredited.

Text (C) 2015 – EricReports